Astra Visual Studios
Crafting Every Frame Beyond the Edit
A complete post-production pipeline for feature films, short films, web series, commercials and trailers — offline and online editing, VFX, colour, sound and final mastering, carried through by one team from first cut to final delivery.
What We Do
Twelve disciplines, one continuous pipeline — every stage handled with the same attention, from the first assembly to the final master.
01
The first assembly of your story — narrative structure, pacing and performance built from raw footage into a coherent rough cut.
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The first assembly of your story — narrative structure, pacing and performance built from raw footage into a coherent rough cut.
02
Full-resolution conform of the locked edit, reconciling every frame against original camera media for a pristine finishing timeline.
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Full-resolution conform of the locked edit, reconciling every frame against original camera media for a pristine finishing timeline.
03
Scene-by-scene colour correction and creative grading across the full Digital Intermediate pipeline, tailored to the story's tone.
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Scene-by-scene colour correction and creative grading across the full Digital Intermediate pipeline, tailored to the story's tone.
04
Clean-up, rig removal, set extensions and composite work that blend seamlessly into the frame without drawing attention to themselves.
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Clean-up, rig removal, set extensions and composite work that blend seamlessly into the frame without drawing attention to themselves.
05
Animated title sequences, lower thirds and kinetic graphic elements designed to match the film's visual language.
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Animated title sequences, lower thirds and kinetic graphic elements designed to match the film's visual language.
06
Opening and closing title sequences crafted as a cinematic statement, not an afterthought.
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Opening and closing title sequences crafted as a cinematic statement, not an afterthought.
07
Foley, ambience, effects design and a final mix balanced for theatrical, broadcast or streaming playback.
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Foley, ambience, effects design and a final mix balanced for theatrical, broadcast or streaming playback.
08
Clean dialogue editing, ADR sessions and multi-language dubbing for wider theatrical and OTT distribution.
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Clean dialogue editing, ADR sessions and multi-language dubbing for wider theatrical and OTT distribution.
09
Accurately timed subtitles and closed captions formatted to festival, broadcast and streaming platform specifications.
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Accurately timed subtitles and closed captions formatted to festival, broadcast and streaming platform specifications.
10
Punchy trailers, teasers and promotional cuts engineered to sell the film in under two minutes.
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Punchy trailers, teasers and promotional cuts engineered to sell the film in under two minutes.
11
Final quality control and mastering across every required deliverable format, frame-accurate and technically compliant.
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Final quality control and mastering across every required deliverable format, frame-accurate and technically compliant.
12
Complete delivery packaging for streaming platforms, Digital Cinema Package and theatrical distribution, built to spec.
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Complete delivery packaging for streaming platforms, Digital Cinema Package and theatrical distribution, built to spec.
The Pipeline
A structured ten-stage process that carries a project from raw footage to final delivery — nothing skipped, nothing rushed.
Camera media is backed up, organised and verified before a single cut is made.
The story is assembled — structure, pacing and performance shaped into a working cut.
The edit is finalised and locked, setting the timeline every downstream department builds against.
The locked cut is rebuilt at full resolution against original camera files.
Clean-up, composites and visual effects shots are completed and integrated into the timeline.
A full Digital Intermediate grade establishes the film's tone, contrast and colour language.
Main titles, end credits and any motion graphics are composited into the graded picture.
Dialogue, effects and music are designed and mixed to a final theatrical or broadcast standard.
Picture and sound are quality-checked frame by frame against delivery specifications.
Masters are packaged and delivered in every required format — DCP, broadcast, OTT or archival.
Selected Work
A cross-section of work carried through the finishing pipeline — features, shorts, series and commercial work alike.
The Wall
A wall of the projects that have moved through the studio's finishing pipeline.
Tools We Work With
Industry-standard tools, invisible in the final result.
Final Output
Every project is mastered and packaged to the exact specification its destination requires — theatrical, broadcast, streaming or archive.
DCP
Theatrical Package
ProRes Master
High Fidelity
Apple ProRes
Editorial & Finishing
DNxHR / DNxHD
Broadcast Codec
Broadcast Master
TV Delivery
OTT Master
Streaming Platforms
Trailer Master
Promo Delivery
Subtitle Master
SRT / VTT / IMSC
Archival Master
Long-Term Storage
Why Astra Visual Studios
One team carrying a project from raw footage to final master means fewer handoffs, and a consistent creative vision from start to finish.
01
Every project is finished to a theatrical standard, regardless of its final destination.
02
A structured, repeatable pipeline that keeps every stage of the project on schedule.
03
Frame-accurate edits, clean composites and careful QC at every stage of the process.
04
A colour-managed pipeline from ingest to delivery, so what you see is what gets delivered.
05
Masters built to the exact specification of theatrical, broadcast and streaming platforms.
06
Editing, VFX, colour, sound and mastering — handled under one roof, by one team.
Trusted By
Questions
Get In Touch
Send over your project details and required services, and you'll hear back with a scope and timeline.
